1 in no fewer than 12 countries, finds them as aggressive and experimental as ever-because for Slipknot, the apocalypse is always nigh.Latest Bollywood Songs Bhool Bhulaiyaa 2 Songs | No Name Songs | Proof Songs | Heropanti 2 Songs | RRR (Hindi) Songs | Harry's House Songs | KGF Chapter 2 Songs | Nikamma (Original Motion Picture Soundtrack) Songs | Way Ahead Songs | Runway 34 (Original Motion Picture Soundtrack) Songs | Pushpa The Rise Part - 01 Songs | Top New Hindi Songs Kesariya (From "Brahmastra") Song | Done Kar Do (From "Raksha Bandhan") Song | Rangisari (From "Jugjugg Jeeyo") Song | Dil (From "Ek Villain Returns") Song | Baarish Aayi Hai Song | Naa Tere Bin (From "Ek Villain Returns") Song | Hum Nashe Mein Toh Nahin (From "Bhool Bhulaiyaa 2") Song | Tur Kalleyan (From "Laal Singh Chaddha") Song | Mor Mor (From "Goodluck Jerry") Song | Top Albums New Hindi Songs | New International Songs | New Punjabi Songs | New Tamil Songs | New Telugu Songs | New Kannada Songs | New Malayalam Songs | New Bhojpuri Songs | New Devotional Songs | New Marathi Songs | New Ghazals & Sufi Songs | New Bengali Songs | New Gujarati Songs | New Haryanvi Songs | New Instrumental Songs | New Rajasthani Songs | Bollywood Top Artists Badshah | Arijit Singh | Sonu Nigam | Sunidhi Chauhan | Shreya Ghoshal | Kishore Kumar | Mohammed Rafi | Lata Mangeshkar | Asha Bhosle | K.J. But, 20 years on from their debut, the band’s album We Are Not Your Kind, which went to No. Over time, Slipknot’s horror-show theatrics have proven to be less a visual gimmick than a crucial marker of consistency for a group that’s endured a number of personnel changes and tragedies (namely, the 2010 death of founding bassist Paul Gray). Importing some of the melodic sensibility he cultivated in his concurrent post-grunge band, Stone Sour, Taylor supplemented throat-shredding ragers like 2003’s “Duality” with just enough pop appeal to turn the band into perennial chart-toppers and Grammy Award-winners.
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But in Corey Taylor, the band possess a lead singer with far greater emotional depth than the typical metal growler. And that sound wasn’t the only scary thing about them: Upping the shock-rock ante established by Marilyn Manson in the ‘90s, Slipknot’s grotesque masks made them look like the death cult from some grindhouse flick. But the group’s self-titled 1999 debut and 2001 follow-up, Iowa, pushed the sound to new extremes, outfitting their palm-muted riffs with a percussive onslaught that owed as much to the rhythms of drum ‘n’ bass as the throttle of thrash. Founded in 1995, the Des Moines, Iowa band were spawned in nu-metal’s petri dish of mosh-pit aggression and turntablist textures.
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The turn of the millennium sparked fears of an imminent apocalypse, and Slipknot emerged at just the right time to provide its soundtrack.